More than anything, this track is a reminder of just how witty MF DOOM’s lyrics are. This track departs slightly from the somewha t ominous undertones of the previous “Shadows of Tomorrow” as Madvillain tries politely to save himself from a girl with awful breath (thus, the brilliant title: Operation Lifesaver, like the mint). “ Operation Lifesaver AKA Mint Test“, follows. Continuing the concept opened by “Money Folder”’s last line, (“very well then, a duel to the death”) this track’s ‘thesis’, so to speak, argues that death is the finite outcome of the struggle-in this context, between the past and future.
![madvillain bistro madvillain bistro](https://studiosol-a.akamaihd.net/letras/500x500/fotos/8/3/7/3/83734bdf5db33c45618eb7f493f2372b.jpg)
“ Money Folder” leads into “Shadows of Tomorrow”, a track which explores the relationship between the past and future with the lyrical finesse that only Dumile possesses. And, of course, his success is huge and hugely profitable. He says, “don’t sign me, i’m about to get a mil’ without ‘em, crowd him off the shelf, he’s the villain, and what about him?” revealing how labels haven’t worked out great for him in the past, resulting in his independence as an artist and continuing his illustration of himself as a villain-unwanted by the masses, but successful in his own right. “ Money Folder” fits the musical tone of the rest of the album, but its main importance is how it reveals MF DOOM’s villain motif. The track is laden with cartoonish evil laughter, continuing the comic-style evil theme of the album. The instrumental “Do Not Fire!” follows, reminding us (in case we’d somehow forgotten) the extent of Madlib’s producing genius. The track is deceivingly light, and without closely listening it’s almost easy to miss just how many brilliant lines Dumile effortlessly packs into it. Relative to the songs so far, “Curls”‘ instrumentals begin refreshingly light, then gradually add in eerie, supervillain-theme-sounding musical lines, beginning about a third of the way in. “Rainbows” ends with a return to the 20th-century, comic-book-style narration, which abruptly ends as “Curls” opens. “America’s Most Blunted” comes with a seamless transition into “ Sickfit“, the album’s first instrumental track, which itself transitions beautifully into the laid-back eighth track, “ Rainbows”. The track “ Raid” comes next, followed by “ America’s Most Blunted“, one of the most impressive shows of Madlib’s production so far on the album. MF DOOM welcomes us to “the debut grand opening of Madvillain Bistro Bed and Breakfast Bar and Grill Cafe Lounge On the Water”–the long name fitting the luxurious production and flow of the track. “ Bistro” follows, the first interlude on the album, and the first to include R&B style female vocals. The line “straight off the meat grinder” appropriately alludes to the fresh production by Madlib on this track. MF DOOM’s chilled confidence adds a level of supervillain cool, and (like he says) “he hold the mic and your attention like two swords”.įollowing these two tracks comes “ Meat Grinder“, a track with legitimately insane production by Madlib. Madlib’s production coupled with Dumile’s seemingly effortless flow is a huge success on this track. The track departs from the choppy pacing of the album’s opener and allows MF DOOM’s lyrical ability to shine through. This track establishes the tone for the album as dark, setting up Madvillain and Madlib as comic book-style supervillains–simply evil figures identifiable by their “dastardly doings” and malicious intent.Īfter the equally haunting and thrilling first track, the album moves into “Accordion”. Madvillainy opens with “ The Illest Villains”, an expository track laced with samples and a Transatlantic-accented narrator, who introduces the dastardly two men of the album: Madvillain and Madlib.
![madvillain bistro madvillain bistro](https://f4.bcbits.com/img/0014336084_10.jpg)
It’s been known as MF DOOM‘s masterpiece and a landmark of 21st-century hip hop ever since. (aka Madlib) released the 2004 album Madvillainy together, under the pseudonyms Madvillain and Madlib. In this album, Dumile weaves his genius lyrics in with Madlib’s unusual rhythms, a symbiotic relationship connecting the verses and signature 2000’s hip hop instrumentals.ĭaniel Dumile and producer Otis Jackson, Jr. His work consists of long rhyme schemes, chained together at length rather than following the more common couplet pattern. With his creative lyrics, dedication to small labels, and collaborations with producers such as Madlib, it’s no surprise his influence extends even to artists such as The Weeknd, Earl Sweatshirt, Drake, and many more.ĭumile’s signature flow isn’t praised for its speed or vocals necessarily, but it is highly regarded for its ‘Shakespearean rhythm’ and lyricism. Let’s dive into “ your favorite rapper’s favorite rapper“, MF DOOM‘s album, track by track.ĭaniel Dumile, aka MF DOOM, remains one of the greatest figures of 90’s-2000’s hip hop.